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When you first start using Photoshop, using the Backspace key is a good way to clear the canvas if you want to start over. Designing Your Workflow Being a Photoshop pro can mean being a bit of a guru and not very efficient. When you have a lot of things going on in a file, it can be difficult to keep track of them all and to do things in the correct order. The following sections describe some of the workflow considerations and the best way to organize your files, folders, and layers. I cover chapter 13 in this book to tell you how to create and save presets that help you speed up some of the most common tasks. Creating and naming your files Every file is named and saved in the folder it resides in, so the „official” place is on your hard drive, but you may have files stored on other drives or other locations on your computer. One of the best ways to save time when creating files is to name them according to the style of work they are used for. For example, if you plan to create a fashion photo, save those files with the following labels: Fashion: Name your files with the genre of clothing (for example, womenswear, menswear, childrenswear, or costumes) so that you remember what you have created and where to find them in the future. Travel: Save files for travel photos with the same convention, such as „travels,” „adventures,” „journeys,” and so on. Food: You can also save any type of file this way, such as „food” or „lunches.” Name your files with a meaningful title, and then the file itself is an extension. Most of the times, using a personal style of file naming is important. When working in Photoshop, you may create many layers with different styles. You may have one for skin, one for hair, and one for a background, for instance. Each of these layers can have a different color to blend them. In this book, I use the folder, scene, and layer names you see in the example image shown in Figure 3-1 to explain how to organize and name files. **Figure 3-1:** The structure of most Photoshop projects is a scene file, folder, and layer. Figure 3-2 shows the Photoshop window with a project file, scene file, and layer file. **Figure 3

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What is Photoshop? Photoshop is a program used to edit photos and create images. The first version was released in 1990. Features of Photoshop It is one of the most widely used image editing tools available in the world. Many photographers use it to edit photos, convert RAW images to JPEG, create images and edit photos. Adobe Photoshop is also used to create images, web designs and graphics for webmasters. Designed by Adobe The Photoshop program was originally designed by John Knoll and introduced in 1990. After many years, it was released as a stand-alone program in 2011. Adobe Photoshop features Adobe Photoshop includes a wide range of features. The most well-known features include: Painting, retouching and contrast The main feature of Photoshop is the ability to edit color and lighting. You can use the brush tool, the airbrush tool, the soft round brush tool, the paint bucket tool and more to change the color, the brightness and the contrast of your images. You can also add and remove elements from images and change the area and position of objects on a canvas. There are filters that include blur and shine effects, the oil paint filter and the non-destructive layer editing tool. You can also apply several effects to one image, such as a vignette, lens flare and many more. Adobe Photoshop also includes vector tools that are useful for creating web designs and graphics for print-on-demand and animation. Image analysis Image analysis tools are useful for spotting any problems with your photos before editing them. You can use the photo histogram to see the distribution of your images. You can also compare, convert, resize and add metadata to images. Adjustment layers This feature enables you to edit images in layers. For example, you can use several adjustment layers to change the contrast of your photos, adjust the brightness or add blur effects to your photos. Organizational features The features of Photoshop allow you to organize, archive and store your images. You can also edit and share them using Adobe Photoshop Lightroom. How much does Photoshop cost? Adobe Photoshop is available in a range of different editions with increasing levels of functionality. The full version, which includes all the features and additional software, costs around $1,299. But the beginner version is free for non-commercial use 05a79cecff

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Asia’s fastest-growing economy, China, is facing a new twist in the trade dispute between the US and China. The east-central Asian nation has held its breath for several weeks, waiting to see what the Trump administration would do with its October threat to put tariffs on a $50 billion Chinese pile of manufactured goods. This week’s response from China is an unexpected one: it has suggested it is willing to retaliate after all, much more aggressively than had been expected. After weeks of negotiating in Shanghai, both sides may be left with less than they hoped for. A public deadline in Beijing had been set for 10 October, but it was not to happen. On Tuesday, a senior US official said China could miss that target, but that there would not be tariffs on anything later than October 15. How bad was the pain that could result from a full-scale trade war? The round of talks which kicked off with high hopes, in Shanghai, had been driven by the threat of tariffs and the spectre of a range of other punitive measures against Chinese exports. At one point, even the US president, Donald Trump, had conceded that the threat of tariffs was a poor negotiating tactic. For a while, it seemed that China might be ready to soften. It insisted that it needed to see some further signs of the “correct” behaviour in the US before it would put its own economy at risk in standing up to American protectionism. This week, the Chinese negotiators insisted that the US should return to the negotiating table to resolve the long-running trade dispute with a better deal. This is where things got complicated. In Beijing, the Chinese embassy had anticipated that US officials would deliver a list of economic demands at the end of the week. They had not been told that this was not going to happen. The US official said that the Chinese had claimed that the US had not pushed enough on six or seven issues. Had the US simply agreed to China’s terms without any hard-hitting demands, in other words, it would still appear to have lost. There would be no public list of requirements, nor any explicit punishments for non-compliance – because any tariff on things like cars or agriculture would need to be negotiated with the European Union or other trading partners. The overall package for trade negotiations was designed to allow both China and the US to achieve something – but not at the expense of the other. It was a result for which both sides had agreed beforehand and on

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we cannot say that the trial court abused its discretion in accepting the State’s version of what occurred. During the sentencing phase, the court charged the jury that it must deliberate separately on the mitigating circumstances. The jury was not sent to the jury room and instructed to proceed immediately to sentencing. This was an invitation to speed through the sentencing determination by the jury. When the jury was reconvened, it was instructed that the first step to be taken was to deliberate further on whether to impose the death sentence or the sentence of life imprisonment. The trial court told the jury that if the defendant was sentenced to life imprisonment, the second step would be to consider additional aggravating circumstances. The jury was told that the consideration of the additional aggravating circumstances was necessary only if the jury had not sentenced the defendant to life imprisonment. The defendant claims that the jury’s failure to complete the sentence in their verdict was prejudicial because he claims that he was entitled to, and did not receive, individualized consideration of mitigating factors. There is no merit to this claim. Considering the appropriateness of the sentence in each case, we have reviewed the cases in which a sentence of death was imposed for homicides during the *753 same year as the homicides at issue and determined that the sentences of death were not disproportionate in those cases. We have reviewed all of the statutory aggravating circumstances charged in this case and the cases in which a sentence of death has been imposed for killings during the same year as the homicide at issue. We have found that the statute in question does not eliminate proof of any element of the defendant’s conduct. The victim in this case suffered the loss of a close relative. The victim’s family witnessed the defendant executing the victim and concluded it would take an unprovoked murder to stop the defendant. The prosecutor believed that the victim witnessed the killing of a previous victim and had a motive to kill the defendant’s father, but no evidence was introduced to support this theory. The defendant committed the murder while on parole. In considering the proportionality of a death sentence, we look to our experience in assessing the death penalty in Alabama, and we consider other sentences for similar crimes. In making our assessment, we will not weigh the aggravating circumstance against the mitigating circumstance as the defendant requests. Rather, we will weigh the aggravating circumstance against the entirety of the defendant’s conduct. In a carefully researched and well-written brief, the defendant claims that he is entitled to a new sentencing hearing because he has been prejudiced by ineffective assistance of

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